It is not recognized whether or not “Ulysses 31” was on Christopher Nolan’s radar in his teenage years, nevertheless it’s intriguing to suppose it may have influenced the director’s determination to tackle Homer’s “The Odyssey”.
This animated area opera, a French/Japanese co-production, delivered a crash course in Greek mythology to a era of children who grew up within the ’80s. And, though it seems to be extra like “Star Wars” than Homer’s authentic story, it had a good stab at transferring the Classics to the thirty first century (the clue actually was within the title), years earlier than the Coen brothers took “The Odyssey” to the Deep South in “O Brother, The place Artwork Thou?”
The cartoon’s core premise could be acquainted to any Greek scholar, despite the fact that purists would certainly bristle on the hero going beneath his Roman pseudonym, Ulysses, fairly than the unique Greek Odysseus.
At coronary heart, it is that previous story of a ship’s captain racing to get residence from Troy (on this case, a starbase) earlier than his spouse, Penelope, marries one other man. That voyage is quickly waylaid, nevertheless, when Ulysses’ son, Telemachus, is kidnapped to change into a sacrifice to an enormous robotic Cyclops.
Ulysses rapidly lives as much as the promise of his well-known theme tune — “All the time preventing all of the evil forces, bringing peace and justice to all” — by vanquishing the one-eyed menace and rescuing Telemachus together with Yumi and Numinor (a pair of blue alien Zotrians who, so far as we are able to inform, do not characteristic within the authentic Homer).
Sadly for Ulysses and his crew, he messed with the mistaken big robotic Cyclops, as a result of this one occurred to belong to the Greek sea god Poseidon, who’s now taken up residence in outer area. The deity is so aggravated on the puny mortal’s impudence that he will get his brother, Zeus (aka the top honcho in Olympus), to inflict divine retribution.
Ulysses is subsequently sentenced to “journey amongst unknown stars” (his ship, the Odyssey, has its navigational databanks purged) whereas his crewmates — referred to, in what now seems like modern company jargon, as “companions” — are put right into a perpetual slumber. If he will make it residence to Penelope, he’ll want to search out the Kingdom of Hades earlier than his 26-episode run involves an finish.
It is much less an replace of Homer than a riff on his biggest hits, with a number of different notable classics of the Classical interval thrown in for good measure. Along with slaying the Cyclops, Ulysses follows in OG Odysseus’s footsteps when he meets the Sirens and Lotus Eaters.
However he additionally ventures past the confines of Homer’s narrative when he encounters Sisyphus (fated to dedicate his whole life to a repetitive, pointless activity), Orpheus (en path to Hades to rescue Eurydice, the love of his life), and three-headed canine Cerberus, reinvented as an interceptor satellite tv for pc with, sure, three heads.
Most of the character names are additionally acquainted. Priam, the commander of the Troy starbase, shares his identify with Troy’s final king in antiquity, whereas Nestor, Ulysses’ second in command, is an advisor within the authentic story. Shirka, the pc on Ulysses’ ship, takes her identify from Circe, a sorceress.
However the present additionally adopts a fairly liberal method to the supply materials. Homer’s model of Telemachus spends a lot of the story separated from his dad, whereas “Ulysses 31″‘s is a continuing presence. Whereas Odysseus’s shipmates principally wound up lifeless, right here they’re plunged right into a state of literal suspended animation, lifelessly floating within the ship’s maintain.
And Ulysses is already conscious of the Greek gods earlier than he makes first contact — in a single episode, he even travels again hundreds of years in time to fulfill his well-known namesake.
If this seems like writers sanitising the story for youthful audiences, nicely, it did not really feel that means if you happen to watched the present as a child. At occasions, “Ulysses 31” is genuinely freaky, from these levitating lifeless our bodies to some actually grotesque monsters. The gods themselves are additionally an unnerving presence, omnipresent beings of colossal energy who see people as their playthings and look at Ulysses’ toils as some twisted spectator sport.
In addition to, not like “Masters of the Universe” and lots of the different greatest sci-fi cartoons of the ’80s, the nice guys weren’t at all times assured to win. Being Ulysses — a single dad guiding his son and adopted daughter Yumi by the cosmos — wasn’t simple.
Now 45 years previous (although it did not discover its means onto British and American TV screens till the mid-’80s), “Ulysses 31” is exhibiting its age. The animation is commonly rudimentary, significantly in outer-space scenes which might be successfully a cut-out of a starship being dragged throughout a stellar background. The dialogue, in the meantime, is performed hilariously straight — good luck discovering fun amongst these uncharted stars — and infrequently consists of somebody shouting one other character’s identify. “Telemachus!” “Father!” “My son!” “Yumi!” and many others. Telemachus’s small purple robotic pal, Nono, is up there with probably the most irritating “cute” sidekicks of the period — fairly the achievement in a particularly aggressive discipline.
However there’s additionally loads to love. As static as they generally look, the spaceship designs have the texture of a basic area opera ebook cowl, significantly Ulysses’ eye-shaped craft, the aptly named Odyssey. The sequence additionally borrows closely from a extra fashionable piece of mythology, specifically the “Star Wars” saga. Ulysses might not be a Jedi (so far as we all know), however his gun/laser sword weapon seems to be rather a lot like a lightsaber. Among the incidental music even apes John Williams’ rating from a galaxy far, far-off.
Which brings us on to the soundtrack, the principle purpose this present lives on within the collective consciousness of a era.
The work of Denny Crockett, Ike Egan, and, on chosen tracks, Shuki Levy and Haim Saban (the latter duo additionally composed for “Masters of the Universe”, “Jayce and the Wheeled Warriors,” and lots of extra cartoon classics), the music is a reduce above. “The Curse of the Gods” chorus is loaded with menace, completely dwelling as much as its portentous title, after which there’s that theme tune.
Severely, to folks of a sure age — even those that keep in mind nothing else in regards to the present — listening to the identify “Ulysses” is sufficient to get them singing “Ulysee-ee-ee-ee-ees” advert infinitum, an earworm actually worthy of the gods of Olympus.
Homer’s tales should still be remembered hundreds of years after he wrote them, however you’ll be able to assure he did not have a tune fairly like that.
“Ulysses 31” is not on any main streaming service, however there are fan uploads on YouTube if you wish to expertise the present for your self.
